She believes the Trump administration didn’t want to give much attention to people dying of COVID-19 because it reflected poorly on them. When she began “Lives Well Lived” last April, she couldn’t help but notice a difference. 11, and recalled the unified national effort to honor those who were lost. Bush’s White House in the aftermath of Sept. Wallace worked in former President George W. “The impetus for doing it remains the same.” “People are still dying in large numbers,” Wakin said. There’s no ending date for the obits, generally run online and collected in the print newspaper once a week. “I wanted to give them the full treatment, both for the sake of telling a good story and for the sake of giving these people their due.” “These are people we wouldn’t normally write obituaries about,” said Daniel J. On Monday, for example, the Times profiled Monica Alexis, an 83-year-old woman who had long worked as a nurse’s aide, and died of the virus in a San Antonio hospital. The Times tells longer stories for COVID-19 victims, generally 400 to 500 words but occasionally stretching beyond. So we don’t do a lot of those.”įor the Times, the obvious precedent is the memorable “Portraits of Grief” thumbnail sketches of people who died in the Sept. We’ve done a few children, and it turns out cable hosts can’t get through these. “But the moms who die younger than me are just searing. “They’re all heartbreaking,” Wallace said. Wallace is somber telling the stories, displaying family snapshots and details culled from interviews with family and friends about what made each person unique. “It may be a cliche, but a number doesn’t really convey it in the same way.” “The main goal is to remind people that people who are loved are dying of this disease,” said Frank Carlson, a “NewsHour” producer who puts together that show’s segments, learning of victims through viewers and local obituaries. All consider it important to continue, particularly at a point when people are getting weary of the story and restrictions on their lives.
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